I am most interested in the liminal spaces between the real and the unreal. My work explores personal and collective memories, actual and constructed experiences and the tangling and untangling of the very loose threads that connect us. I often employ found objects and appropriated imagery, which are preloaded with history and meaning, as a form of cultural shorthand toward my personal visual vocabulary. This is an attempt to communicate with others while filling in the blanks of memory and persona; it is a form of transubstantiation.